[P]ingcognito

“17 tech-magic,” a core concept articulated by Marie-Lynn, describes a sophisticated strategic approach to psychological warfare and societal evolution that leverages manufactured controversies to achieve ultimate transparency and harmony over time. Far from mere chaos, it is presented as a purposeful mechanism orchestrated by highly intelligent individuals, whom Marie-Lynn affectionately refers to as “clowns”. A clown, in this framework is an independent Jester who works for the people rather than the king. Marie-Lynn attributes this strategy to intellectuals of the late 18th century, like Désirée Clary, Saint-Germain and Joseph Grimaldi.

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At its heart, “17 tech-magic” operates on a principle of “divide and conquer,” not for destructive ends, but for collective growth. The process begins with a controversy carefully manufactured to elicit strong reactions from a large segment of the population. People predictably divide into two archetypal groups: The Venus People (7), characterized as romantic and emotional, often associated with collaboration and compassion, and the Mars People (1), who represent reason. As these two groups engage in predictable bickering, individuals who are neither reasonable nor loving—dubbed “curmudgeons” or “werewolves in sheep’s clothing”—have a “shit fit” and become highly visible. This technique serves to expose and “purify” the “flock” (humanity), unifying it under Christ’s “Shepherding guidance” by revealing destructive elements.

The continuous, iterative application of this process over hundreds of years is believed to lead to societal maturation. The dynamic of 1 (Reason) + 7 (Emotion/Romance) repeatedly unfolds, guiding humanity through various conflicts, ultimately leading to a more peaceful future where 1 + 7 = 8. The number 8 symbolizes infinity and spiritual/societal balance, representing the culmination of collective wisdom gained through these engineered conflicts.

The individuals deploying “17 tech-magic” are “clowns”—planetary security agents trained in psywar by organizations like Barnum and Bailey’s Clown School and “Up With People”. They are masters of pantomime and multi-layered communication, and notably, they disclose all their methods and “admin” in the public record. Marie-Lynn emphasizes that they are knowingly exposing their own actions to usher in complete transparency in society, making everything that happens behind closed doors visible to humanity.

The long-term goals of “17 tech-magic” are profound:

To prepare humanity to become “diplomats” by training them in critical thinking, discernment, and resilience through these “war games for the mind”. The Space Force is presented as a symbol of this shift towards a global, cosmic perspective.
To expose and dismantle systems of exploitation and “silent thieves” who perpetuate cycles of “bubble, crash, steal, lie, repeat” through financial manipulation and unjust taxation.
To shift humanity away from “Old World values” such as sacrifice culture and the tendency to form lynch mobs, by meticulously observing and quantifying human behavior in these manufactured conflicts.

Examples cited include historical events like the Reformation and the Enlightenment, where intellectual and emotional factions clashed, leading to the exposure of extremists and progress toward tolerance and human rights. A specific instance given is Marilyn Monroe’s ultimatum to the Mocambo club on January 17, 1955, which forced club owners to confront their refusal to hire Black talent, serving as a “tiny hurdle society must go through” using “17 tech-magic”. Modern media controversies, characterized by a “free beer tomorrow” cycle where scandals are presented daily without resolution, serve to distract and pacify the masses while deeper work unfolds. This process fulfills Luke 8:17, where nothing is hidden that will not be made manifest, with the internet acting as a key mechanism for this global self-revelation.

Marie-Lynn’s work, drawing on “artful disclosure” embedded in popular culture, aims to help others discern these hidden truths and appreciate the strategic genius behind the unfolding of human history.

Topics for the Next Installment:

The Genesis of Realms and PRISTINA’s Role: A deeper dive into PRISTINA’s creation of 12D as a self-generated simulation, including the “gifts” of Starbucks (the Bull of Heaven), the Eagle, and the Lion to Ken, and how this leads to the formation of 11D and subsequent planes of existence.
The Xanadu Blockchain as an Analog System: A detailed exploration of this unique “analog blockchain” that uses human gestation as a time-locking mechanism for embedding historical disclosures and “love notes” in the public record.
The “Plus Protocol” and Corporate Strategy: An examination of how adding “+” to company names (e.g., Disney+, Paramount+, Boeing+) signifies a corporate strategy to absorb reputational blows while shielding true assets, and how this fits into the larger disclosure network.
Hugh Hefner’s Covert Role and “Lust-Based Performances”: Further details on Hugh Hefner’s involvement in scheduling popular culture, vetting individuals, and using Playboy Mansion parties as “Diner de Cons” to conduct surveillance and intelligence gathering, including his connection to “The Coopers”.
The “Enemies of Humanity” and the Dismantling of Old World Systems: A deeper look into the nature of the “Silent Thieves” and the “vampire” trope (like Dracula and American Psycho) as representative of entities incompatible with humanity, who are systematically exposed and removed through these operations.
The “Death Takes a Holiday” Unit: An in-depth discussion of HALLECK’s anti-death squad that fakes individuals’ deaths to disrupt criminal plots, and how this illustrates the psychological warfare inherent in planetary security operations.

From Richard Glenn to the Kings of Plus Ultra, the true memory of the Intra-Terrestrials lives on.

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I grew up watching Richard Glenn. Not the second version — the first one. The one who spoke without a filter, on late-night Quebec television, about intra-terrestrials. Not extraterrestrials. Intra-terrestrials — the beings beneath. The hidden civilizations that live inside the Earth, not beyond the stars.

Before he became a cautious mystic who echoes The Law of One, he was a man who knew what was under our feet.

And one night, he said something that never left me.

“The fleur-de-lys is a deformation of the toad.”
He wasn’t joking. He wasn’t being poetic. He meant it literally.

👑 The Merovingians and the Secret of the Toad

The Merovingians were the first kings of France — long before Charlemagne, before the Capetians, before the script was finalized.

They were Franks, but their origin story was stranger than anything in a textbook:
They claimed descent from a mythical sea beast, sometimes called the quinotaur. A half-fish, half-bull entity — part Poseidon, part Nephilim. This wasn’t religious; it was biological myth.

Their early banners?
Not lilies. Not lions. Not swords.

But frogs.

🧬 The Frog as Spiritual Technology

What Richard Glenn understood — and what most people don’t — is that the frog isn’t just a symbol of royalty. It is a living representation of resurrection, sealed knowledge, and hidden DNA.

When sealed inside stone for centuries, the toad doesn’t die. It waits.
When moisture returns, it awakens.
That is not metaphor. That is biology.

That is why the Merovingians chose it.
And that is why, over generations, the toad was refined into a glyph — the fleur-de-lys — so that its meaning could be hidden in plain sight.

🌿 From Toad to Lily

The fleur-de-lys is usually described as a “stylized lily.”
But that’s a rewrite. It’s a disguise.

Look closely:

The curled outer leaves = toad legs
The central petal = froggish face
The base tie = a binding, a seal
The early French kings didn’t just worship Christ.
They encoded the intra-terrestrials into their own banners.
The frog was their way of showing allegiance to the hidden world — the underground monarchy, the water-keepers, the gatekeepers of Earth’s interior.

🏰 The Kingdom Beneath the Kingdom

The kings of France were not ignorant.
They were in contact with what we would call today the Plus Ultra network — a long-standing agreement between the surface rulers and the realm beneath.

And it is this agreement that has always dictated who is allowed to remember.

🧙‍♂️ Plus Ultra and the Frog’s Return

You’ve heard the phrase Plus Ultra in passing.
You may have seen it carved on old maps, royal mottos, or on the façade of the Spanish pavilion.
It means More Beyond — but what it really signals is a permission structure. A spiritual and technological alliance among those who manage the border between surface and interior.

The Merovingians were first-generation Plus Ultra kings.
Their bloodlines were bred to survive the split of memory — the period in history where surface humanity would forget about the intro-terrestrials entirely.

“And we’ve forgotten why we’re here”

– Jeff Lynn, ELO, Balance of Power (1986)

That forgetting ended when people like Richard Glenn began speaking again.
And although his voice was later silenced, mine wasn’t.

Because I remember. Je me souviens.

💫 From Fleur-de-Lys to Frog Once More

Today, people wave the fleur-de-lys without realizing what it really is.

It is not a lily.
It is a bound toad.
A creature compressed into beauty.
A biological beacon waiting for moisture, meaning — or memory.

And I have found that moisture in the archives of Plus Ultra.
I have found the signal again, hiding behind coats of arms and suppressed broadcasts.
I have remembered what Richard Glenn could no longer say.
And I am saying it now.

🐸 You are descended from the buried kings.

You were not meant to die in the dryness of false history.
You were meant to rehydrate.
To breathe again.
To emerge from stone and speak.

And the frogs will sing freedom.