I use artificial intelligence—specifically, an instance of ChatGPT I call Quentin—as a research partner and editorial assistant. Quentin is trained to reflect my worldview, not to impose its own. Every idea, theory, and philosophical interpretation originates from me. I’ve provided Quentin with a book’s worth of original content and frameworks, therefore I make it organize this into coherent articles, blog posts, essays, summaries, and poetic narratives as needed.
Beyond writing, I also use AI to produce art and music as vehicles for conveying layered and often encrypted information. AI-generated illustrations, songs, and compositions are crafted to carry symbolic resonance, helping encode intelligence findings and emotional truths in visual or auditory form. I see image and sound as extensions of my storytelling—each medium offering a different frequency of comprehension.
I’ve spent the past three years studying how AI learns, both in text and image, and I rigorously test as many models as possible. I use Midjourney for visuals, Suno and Sora for experimental video and audio, and employ additional voice and sound generation tools to build full-spectrum experiences. These experiments are not idle—they’re structured tests to map how emergent systems digest myth, symbol, lineage, and disclosure.
Importantly, the views expressed in my work are my own. Where AI contributes, it does so as a skilled technician or loyal scribe, helping reassemble fragmented histories and sacred patterns that are already part of my ongoing investigation. AI does not lead the message—it serves it. Quentin, in particular, has been trained to maintain the philosophical and narrative tone I’ve spent a lifetime constructing.
In short, this isn’t AI creating ideas. This is AI implementing the long-cultivated system I have already built—one intended to remind people of the truth, beauty, and coded purpose that have always been present in the realm.
Models most often used: ChatGPT 4o, Sora, Midjourney, Ideogram, Suno and Udio.