The source material is presented as a crucial guide intended to enhance understanding of how jokes are crafted, why jokes are crafted, and who crafts the jokes that are “played on you”. While the speaker uses the Archon conspiracy theory as a central example, the core purpose is to explain the mechanics of how to unravel any official conspiracy theory created by the people who maintain The Official Story of The Edge.
Listen to the long version discussion about Double Entendre (30 minutes)
The maintainers of these official narratives are often referred to as “clowns”. This term is used to denote a highly skilled professional of the circus who is able to communicate on five layers at the same time. These professionals are affiliated with the intelligence community and military units, specifically citing the US Army Signal Corps and the Ghost Army. Their work involves deploying training and indoctrination, often drawing them near to God.
The secret to decoding the Official Story of The Edge is recognizing the double ant system (double entendre), which the speaker explicitly identifies as French psychological warfare. This system is both a seductive glamour system and an encryption system. The intent of the double ant is to simultaneously lead “stupid people” to believe a negative, compelling, and unprovable theory, while also providing the truth directly (the positive side) to those who are “read in to the system”.
According to this framework, official conspiracy theories:
- Are unprovable but ultra compelling.
- Are meant to educate the general public about immense assholes or monsters without directly naming them.
- Have the answer always in the statement itself.
By understanding these rules, the reader can reverse the narrative—often by considering the opposite of everything you take for granted in this “completely inverted reality”. Decryption can be achieved through techniques like verlan (a French sub-language involving flipping syllables), which reveals the fabricated nature of the story.
Ultimately, the source serves as an essential key for those wishing to seek out the positive side of the double ant, moving beyond the negativity that captivates “people who are miserable”.
Denys Arcand’s films are mentioned in the long audio. Here is the poster for Le Déclin de L’Empire Américain released in 1986.
