Who invented the words that litter our acrimony language?

In this edition of “The Meat Beyond The Meme” we look at a classic meme which gets 75% of its info somewhat right. The effect of the meme is often realized because of the misinformation contained within. So most people will share memes becuase of their attraction to the misinformation in a meme, and not the correct information.

Labels are a tool of disinformation, because they are used in a different way by different people. Most incoming players in the acrimony game mimick the use of terms by other people, without actual knowledge of the meaning of the words. Labels at just easy things to throw at people in order to remind the mediocracy that you are a good person (if not a smart one).

The Meme

The Meat

Conrad Heiden, a German-American journalist and author, popularized the term “Nazi” in English-speaking countries through his book “Adolf Hitler: The Dictator.” Although he did not invent the word, Heiden extensively used it to refer to the National Socialist movement, contributing to its wider recognition.

Moritz Steinschneider, a 19th-century German-Jewish scholar, indirectly contributed to the development of the term “anti-Semitic” through his scholarly work on Jewish history and culture. While he did not invent the term, his research shed light on the prejudices faced by Jews, providing a historical context for the emergence of the term.

Leon Trotsky, a prominent figure in the Russian Revolution, did not popularize the term “racist.” The term existed before his time, and its widespread recognition and usage can be attributed to various scholars, activists, and intellectuals involved in racial justice movements.

There is no recognized figure named Margaret Feldman associated with the popularization of the term “sexism” in feminism. The term gained prominence through the efforts of feminist activists, writers, and scholars such as Betty Friedan and Simone de Beauvoir.

This post will be updated with the sourcing information of all the people mentioned, once it has been formatted.

Caution should be exercised when evaluating information from internet sources.

Où est Maman?

Louise Bourgeois’ iconic sculpture, “Maman,” features a 30-foot (9-meter) high spider made of bronze, stainless steel, and marble. The sculpture was created in 1999 and has been exhibited in various locations around the world. The spider has eight spindly legs, a bulbous body, and two large, shiny marble eggs held in a mesh basket at its center. The title “Maman” means “Mother” in French, and the sculpture is intended to represent the artist’s own mother, who was a weaver and died when Bourgeois was just 21 years old.

Bourgeois‘ spider sculptures were inspired by her mother and her own experiences with spiders. She saw spiders as protective, nurturing creatures that also possessed a dangerous and frightening aspect. “Maman” is meant to embody these conflicting emotions and to explore the themes of motherhood, protection, and vulnerability. The sculpture has been interpreted in various ways, with some seeing it as a feminist symbol and others as a representation of the darker side of motherhood.

“Maman” has been exhibited in various locations around the world, including New York’s Rockefeller Center, the Tate Modern in London, and the National Gallery of Canada in Ottawa. The sculpture has become one of Bourgeois’ most famous works and has inspired numerous imitations and reinterpretations by other artists.

Exactly 9 months before Louise Bourgeois was born…

EVENT CARD

Her Serene Highness, The Princess Vilma Lwoff-Parlaghy unveils painting of philanthropist Frederick Towsend Martin during intimate showing in her Plaza Hotel suites.
It happened on 29 March, 1911

Present: Capt. Feely, Griswold A. Thompson, Featuring: Princess Vilma Lwoff-Parlaghy, Frederick Townsend Martin (more...)


born on December 25, 1911

Louise Bourgeois

French-American artist

born on December 06, 1849 (d. 1914)

Frederick Townsend Martin

The Millionaire with a Mission - New York City writer, advocate for the poor, and an acknowledged leader of society in New York.