Princess Vilma’s Magic Carpet

From: PAINTINGS & OBJECTS OF ART, THE COLLECTION OF THE LATE PRINCESS VILMA LWOFF PARLAGHY, 1924

IMPORTANT PERSIAN KASHAN SILK THRONE RUG

This rug is a true masterpiece of Persian artistry. It features three borders, with the main one showcasing extremely well-designed undulated vines and flowers on a deep indigo-blue background. In the center, there is a pictorial composition showing a Persian prince seated on the lion throne, with a water basin and fountain in the foreground. The rug boasts very fine knotting and silver overcast on the sides.

Accompanying the rug is a certificate copied after a statement of Professor Abraham Yohannan, Professor of Oriental Languages, Indo-Iranian Department, Columbia University. The certificate reads:

“The gift and the glorious Shah match perfectly,
As the Sun fits the vault of Heaven, as the rose the goblet, and
the diadem the throne,
Throughout the Eastern land it is well known,
That this is the product of forty years of study of the art.
The date is equivalent to ‘Bagdad’
Consequently, its value cannot be overestimated.”

According to the certificate, the word “Bagdad” is a chronogram, and the numerical values of the letters are: B equal to 2, A to 1, G to 1000, D to 4, and I to 1, totaling 1012 A.HI., which corresponds to 1608 A.D. This would date the rug very early 17th century at the time of Shah Abbas the Great, according to Professor Yohannan’s certificate. The rug was most likely woven for Shah Abbas and was plainly a state rug intended for use in the throne room hanging back of the throne. It passed as a most cherished heirloom from the royal family to the late Prime Minister Ali Asker Khan, who presented it as a mark of distinguished courtesy to Princess Lwoff-Parlaghy.

The rug measures 6 feet 6¾ inches x 4 feet 2½ inches. The certificate will be handed over to the purchaser.


Portrait Battle: Von Lenbach vs. Vilma Parlaghy

“Vilma Parlaghy was born at Hajdu Dorog, Hungary, in the seventles. When but a little girl she exhibited such a genius for art that her parents gave her all the advantages avallable at Buda-pest. When she was 14 she was taken to Munich, that she might study under the famous Von Lenbach. That master, however, took few pupils, and especially did not wish to be bothered with a girl. Vilma, piqued, set up a studio of her own and made a copy of one of Von Lenbach’s noted paintings, which so amazed him that he consented to teach her.” San Francisco Bulletin, Wed, Jul 08, 1908 ·Page 12

1879
Porträt des Helmuth Graf von Moltke
von Franz von Lenbach


1891
Portrait of Helmuth Karl Bernhard Graf von Moltke
by V. Parlaghy